Last summer, while I was (ironically) in Chicago, the Eugene Symphony announced that its excellent executive director, Paul Winberg (here’s a Q&A I did with Winberg a few years ago), was leaving the symphony for a spot as the executive directorof the Grant Park Music Festival.
Winberg left the symphony in good financial shape, still in the black after years of recession. As symphonies around the country go bankrupt or conduct punishing negotiations with their musicians, Eugene seems calm though the development team certainly works its (collective) butt off to raise the money necessary to stay in the black.
Last week, the symphony sent out a press release to announce that it had hired a new executive director: Scott Freck, currently the VP for artistic operations and the general manager of the North Carolina Symphony, based in Raleigh. Freck will move to Eugene in June, and his family (he has a wife and two kids) will follow in July.
But he won’t be new to Oregon; he grew up “outside of Portland.” When he was young, he was a cellist with the Portland Youth Philharmonic, and he worked as artistic administrator for the Oregon Symphony in Portland for years before he moved in 2000 to that other, hotter, more mosquito-ridden coast.
I had the opportunity to talk to Freck about his return to his home state, his feelings about the Eugene Symphony and his plans for the future – and how to fill Winberg’s shoes and keep the Eugene Symphony financially and musically successful.